"Figure majeure des artistes femmes engagéespolitiquement, Martha Rosler réalise des photographies, des vidéos et des installations appuyées par de nombreuxtextes théoriques.

Lepouvoir et le rapport que nous entretenons avec lui constitue l'un des thèmesrécurrents de son travail. En cela sa démarche se rapproche de celles deBarbara Kruger, Cindy Sherman ou encore Sherrie Levine qui, dans les années 80,utilisent  et replacent la photographie àl'intérieur d'un contexte social.

Martha Rosler s'est fait connaître au débutdes années 70 par ses photomontages sur la guerre du Vietnam -Bringing the War Home, House Beautiful, 1967-1972."Ses collages semblaient répondre à la frustation de l'artisteface aux images vues à la télévision, publiées dans la presse ou encorereproduites sur certaines affiches ou flyers.

Dans ces collages, Martha Rosler reconnectedeux réalités disjointes du monde : la guerre du Vietnam et les Intérieurs américains. Jean-Luc Godardexplorera les mêmes disjonctions entre la société de consommation et la luttepalestinienne dans Ici et Ailleurs,1974."

Martha Rosler a présenté notamment à la galerie unesérie de neuf photographies intitulées Rightsof Passage  réalisées entre 1994 et1996. Prises à travers le pare-brise de sa voiture,ces photographies nous font découvrir la route, les ponts, les échangeursautoroutiers de New York et du New Jersey, le flux des camions chargés designes publicitaires et les espaces de liberté qu'ouvre et symbolise la route américaine.

"La route, l'automobile, la rue, lemétro... Autant de lieux qui dans les pays riches, constituent des expériencesquotidiennes, modèlent les vies et créent des paysages de rêve qui ne renvoientà rien d'imaginé jusqu'alors. La route américaine est la promesse et lacondition préalable à la possesssion du "bien être". Pourtant ce doublerêve d'évasion et de possesssion disparaît au profit d'une uniformisationcroissante des paysages."

Extrait du texte de "Transitions et Digressions", 1997.

MARTHA ROSLER

(1943)

2020
"How Do We Get There From Here?", Esbaluard Museu, Palma / IllesBalears. (February 21 - May 10)

2019
"Martha Rosler: Passionate Signals", Neubauer Collegium for Cultureand Society, The University of Chicago, Chicago, Illinois.
"Si tú vivieras aquí / If you lived here", MAC – Museo de ArteContemporáneo, Universidad de Chile, Santiago de Chile.
"Maybe this time is different", MUNTREF – Centro de ArteContemporáneo y Museo de la Inmigración sede Hotel de Inmigrantes, BuenosAires.
"An American in the 21st Century", Galleria Raffaella Cortese, Milan.
"Martha Rosler, Eric Wesley", SLASH Art, San Francisco.

2018
"Martha Rosler: Irrespective", Jewish Museum, New York.
"MarthaRosler, 1981: The year the future began", Galerie Nagel Draxler, Köln.
"War Games", Martha Rosler & Hito Steyerl, Kunstmuseum Basel,Basel.

2017
"Partisan Views and Public Opinion", Zimmerli Art Museum at RutgersUniversity, New Jersey.

2016
"Housing Is a Human Right / If You Lived Here Still", The NewFoundation Seattle, Seattle.
"If you can’t afford to live here, mo-o-ove!!", Mitchell-Innes &Nash, New York.

2015
"Below the Surface", Seattle Art Museum, Seattle.
"Greenpoint", GalerieNagel Draxler, Berlin.
"Woeful Weapons: Josep Renau and Martha Rosler reacting to War",Institut Valencià d'Art Modern, Valencia.

2014
"Martha Rosler: The Bowery", Lethaby Gallery, University of the Arts,London.
"Guide for the Perplexed: How to Succeed in the New Poland", CCAUjazdowski Castle, Warsaw.

2013
"Laboratorium", w/ Vanja Vukovic, Eulengasse, Frankfurt.
"Martha Rosler: Two Systems", Adam Art Gallery, Victoria Universityof Wellington, Wellington
"Cuba, January 1981", Galleria Raffaella Cortese, Milano.
"Martha Rosler", Art Museum, University of Kentucky, Lexington.

2012
"Meta-Monumental Garage Sale", Museum of Modern Art, New York.
"Cuba", Mitchell-Innes & Nash, New York.

2011
"In Public", Galleria Raffaella Cortese, Milano.

2010
"Lesson for Today", with Josh Neufeld, Side Street Projects, SantaMonica
"How Many Billboards? Art in Stead", MAK Center for Art, Los Angeles.
"Martha Rosler: Point and Shoot", Stedelijk ‘s-Hertogenbosch.
"Martha Rosler", GalerieChristian Nagel, Antwerpen.
"As if", GAM, Torino.
"If You Lived Here Still...", Casco Office for Art, Design andTheory, Utrecht.

2009
"Power Game", GalerieChristian Nagel, Köln.
"la casa, la calle, la cocina", Centro José Guerrero,Granada.

2008
"Great Power", Mitchell-Innes & Nash, New York.
"Passionate Signals", Langhans Galerie, Prague.
"Martha RoslerLibrary", Stills, Edinburgh.
"location, location, location", Portikus, Frankfurt am Main.

2007
"Bringing the War Home", Worcester Art Museum, MA.
"Virtual Minefeld", Location One, New York.

2006
"The Martha Rosler Library", Frankfurter Kunstverein, Frankfurt.
"Kriegsschauplätze",Galerie Christian Nagel, Berlin.

2005
"Martha Rosler Library", 53 Ludlow Street, New York.
"Martha Rosler: London Garage Sale", Institute of Contemporary Arts,London.
"Martha Rosler - If not now, when?", Hannover Sprengel Museum.

2004
"Do You Believe in Reality?", Taipei Biennnial, Taiwan.
"Photomontages 1965 - 2004", Gorney Bravin + Lee Gallery, New York.

2003
"Oleanna Space/Ship/Station", Utopia Station at the 50th VeniceBiennale,Venice.

2002
"The Bowery in two inadequate descriptive systems" w/ RichardBillingham, Vin & Sprithistoriska Museet, Stockholm.
"Three Transient Tenants at the Central Terminal" Moderna Museet,Stockholm.
Maison Européenne de la Photographie Paris.

2001
Live Performance Art Biennale in re: Live. Video-In Studios, Vancouver, B.C.

2000
"Martha Rosler, Positions in the Life World", The New Museum, NewYork.
"Romances of the Meal," Performance for the project"Indiscipline," Brussels.
"Martha Rosler: Video", Kiasma Museum Of Contemporary Art, Helsinki.
"Hors Champ: Agenda Caravanes" w/ Peter Boggers, Centre GeorgesPompidou, Paris.

1999
"In the Place of the Public: Airport Series", Suite of bus cards andsubway lightboxes in the exhibition "Ruins in Reverse: Time and Progressin Contemporary Art," organized by CEPA Gallery, Buffalo.
"OOPS!Or, Nobody Loves a Hegemon", Galerie Christian Nagel, Köln.
"Martha Rosler – Positionen in der Lebenswelt", GeneraliFoundation, Vienna;
"Martha Rosler – Positions in the Life World", Institut d'ArtContemporain Villeurbanne, France.
"Martha Rosler –Positions in the Life World", MACBA, Museu d’art contemporani, Barcelona.

1998
"Martha Rosler – Positions in the Life World", The New Museum, NewYork.
"In the Place of the Public", Frankfurt Airport, organized by theMuseum für Moderne Kunst.
"Martha Rosler", INIT: Kunsthalle, Berlin.

1997
"Transitions and Digressions", Jay Gorney Modern Art, New York.
"Martha Rosler Reads Vogue: Wishing, Dreaming, Winning, Spending",MNN, BCAT und Bronxnet Cable, New York.
"Rights of Passage", Galerie Anne de Villepoix, Paris.

1996
"Martha Rosler Reads Vogue", Paper Tiger Television, Bronxnet, NewYork.
"Everyday Objects: Videotapes by Martha Rosler", Art Gallery ofOntario, Toronto.
"Born to Be Sold", Free Speech TV, Boulder, Colorado.

1995
"Public Information: Desire, Disaster, Document", San FranciscoMuseum of Modern Art.
Center for Contemporary Art - CCA, Glasgow.
"Born to Be Sold"; Free Speech TV, Boulder, Colorado.
"Martha Rosler: Il Bienal del Video", Museo de Arte Contemporáneo,Santiago, Chile.

1994
"In the Place of the Public", Contemporary Arts Center, Cincinnati.
"Videotapes of Martha Rosler", Palais des Beaux Arts, Brussels.
"Korrektur in Stuttgart", Künstlerhaus, Stuttgart.

1993
"In the Place of the Public", Jay Gorney Modern Art, New York.
"Monográfico de Martha Rosler", Institut Valencià de la Dona,Valencia.
"An Empty Space inOttensen, Contaminated by History, Capital and Asbestos.", Stadtfahrt/CityTour, Hamburg.

1992
"If You Lived Here: Homelessness and Housing in St. Louis",Washington University Gallery of Art, St. Louis.
"Video Project", Sandra Gering, New York.

1991
"Focus on Southern Africa: Nancy Buchanan, Mzwakhe Mbuli, MarthaRosler", Otis/Parsons Art Institute Gallery.
"Born to Be Sold", Manhattan Cable, New York.
"The Machine Wreckers: The Lady Luddities", Third Frauen FilmFestival, Dortmund.
"Bringing the War Home", Simon Watson, New York.

1990
"Housing Is a Human Right", Project on housing and homelessness inthe city of Oxford and Oxfordshire. Public sites in the city and at the Museumof Modern Art, Oxford.
"Martha Rosler", Galerie 7.0.7., Frankfurt am Main.

1989
"If you lived here...", Dia Art Foundation, New York.
"Housing Is a Human Right", Times Square Spectacolor animatedsignboard, New York.

1988
"Martha Rosler: Four Works", Video Cable Series, organized by theLong Beach Museum of Art.
"Born to Be Sold" American Film Institute Video Festival, LosAngeles.

1987
"Focus: Martha Rosler", Institute of Contemporary Art, Boston.
"Global Taste: A Meal in Three Courses", Video Installation atCornell Cinema, Ithaca.

1986
Los Angeles Center of Photographic Studies and EZTV, Los Angeles.
Camerawork, San Francisco.
Electronic Arts Gallery, Minneapolis.

1985
University/Community Video, Minneapolis.
"Fascination with the (Game of the)(Exploding)(Historical) HollowLeg", Sibell-Wolle Fine Arts Gallery, University of Colorado, Boulder.

1983
ICA, Institute of Contemporary Arts, London.
"Martha Rosler: Six Videotapes, 1975-1983", The Office, New York.

1982
"Watchwords of the Eighties", Documenta 7, Kassel; Oberlin CollegeArt Museum, Ohio; Walter Phillips Gallery, Banff Centre School of Fine Art;Mercer Union Gallery, Toronto; Dance Theatre Workshop, New York.

1981
"Two Evenings of Video", Powerhouse Gallery, Montréal.
"Watchwords of the Eighties", curated by Lucy Lippard, ElisabethIrwin High School, New York.
"Optimism/Pessimism: Constructing a Life", Los Angeles – LondonPerformance-Exchange, Franklin Furnace – Just Above Midtown/Downtown Gallery,New York.

1980
"Sketch for a Ritual of Mutual Atonement: For Alice", InteractionArts, New York.
Anna Leonowens Gallery, Nova Scotia College of Art & Design, Halifax.

1979
Orange Coast College Photography Gallery, Costa Mesa, California.
"Getting the News", Alberta College of Art, Calgary.
"Women in Focus", Vancouver.
A-Space, Toronto.
University Art Museum, University of California, Berkeley.
Institute of Contemporary Arts, London.

1978
"Against the Mythology of Everyday Life" and/or Gallery, Seattle.
"Martha Rosler", Véhicule Art, Montréal.
"Martha Rosler", Video Free America, San Francisco.
"Domination and the Everyday", Los Angeles Institute of ContemporaryArt (LAICA).
"Getting the News" In "What’s Cooking II", University ofCalifornia, San Diego.

1977
"Martha Rosler", "New American Filmmakers" Series, WhitneyMuseum of American Art, New York.
"Foul Play in the Chicken House", Long Beach Museum of Art,California.
"Forced Choice Arizona State University", Tempe.
"What’s Your Name Little Girl?", CLOSE Artists’ radio, KPFK LosAngeles.
"Traveling Garage Sale", La Mamelle Gallery garage, San Francisco.

1976
Parachute Center for Cultural Affairs, Calgary.

1975
The Kitchen, w/ Alan Sekula, New York.
"The Evening News", w/ Alan Sekula, Cable-TV screening, College ArtAssociation, Hilton Hotel, Los Angeles.

1974
"A Gourmet Experience", University of California, San Diego.

1973
"Monumental Garage Sale", University of California, San Diego.
"Vital Statistics of a Citizen, Simply Obtained", University ofCalifornia, San Diego.

WANDERNDEEINZELAUSSTELLUNGEN / TRAVELING SOLO EXHIBITIONS

1972–2012 „Garage Sale“
UC San Diego
La Mamelle, San Francisco
Institut d’Art Contemporain, Villeurbanne, France
New Museum of Contemporary Art, New York
Moderna Museet, Stockholm
Sprengel Museum, Hannover
Project Arts Center, Dublin
Institute of Contemporary Arts, London
Art Parcours Project, Art Basel
Museum of Modern Art, New York

2009–2010 „If You LivedHere Still: An archive exhibition“
e-flux gallery, New York
Casco Office for Art Design and Theory, Utrecht
La Virreina Centre de la Imatge, Barcelona

2005–2009 „Martha RoslerLibrary“
e-flux gallery, New York
Frankfurter Kunstverein
NICC/MuHKA, Antwerp
United Nations Plaza school, Berlin
INHA, Paris
School of Fine Art, John Moores, Liverpool
Stills, Edinburgh
University of Massachusetts, Amherst

1981–1982 „Watchwords ofthe Eighties“ (performance)
Elisabeth Irwin High School
Oberlin College Art Museum, Ohio
Walter Phillips Gallery, Banff Centre School of Fine Art, Alberta
Mercer Union Gallery, Toronto
Dance Theatre Workshop, New York
Documenta 7, Kassel

1998–2000 „Martha Rosler:Positions in the Life World“ (retrospective)
Ikon Gallery, Birmingham
Institut d’Art Contemporain, Villeurbanne, France
Generali Foundation, Vienna
MACBA, Museu d’art contemporani, Barcelona
New Museum of Contemporary Art and International Center of Photography, NewYork

PREISE / PRIZES

2017
Lichtwark-Preis, Stadt Hamburg.

2016
100k Prize, The New Foundation Seattle.

2012
Doctorate honoris causa, Nova Scotia College of Art and Design.
Asher B. Durand Award, Brooklyn Museum.

2011
DAAD Artists-in-Berlin Residency.

2010
Guggenheim Museum Lifetime Achievement Award.
Third International Hermes lecture, s’Hertogenbosch.

2009
Civitella Ranieri Residency, Umbria.
Featured Speaker, Women’s Caucus, Society for Photographic Education.

2008
United States Artists Nimoy Fellow.

2007
Anonymous Was a Woman Foundation Grant.

2006
Oskar-Kokoschka-Preis.

EXPOSITIONS COLLECTIVES

2020
"Transhuman – Von der Prothetik zum Cyborg", Museum Ulm (June -November 2020)
Museum d’Art Moderne et d’Art Contemporain, Nice (May - September 2020)
"Supermarket",Jeu de Paume, Paris (February - June 2020)
"American Women, The Infinite Journey", La Patinoire Royale - galerieValérie Bach, Saint-Gilles / Belgium.

2019
"Supermarket: Pop Art and 1960s America", Brigham Young UniversityMuseum of Art, Provo / Utah.
"Theater of Operations: The Gulf Wars 1991-2011", MoMA PS1, New York.
"The Enchanted Interior", Laing Art Gallery, Newcastle, UK.
"Evelyne Axell, Méthodes Pop", Le Delta, Province de Namur.
"Direct Message: Art, Language, and Power", MCA, Chicago.
"Feminism and Video: 1970's", Cleveland Museum of Art, Cleveland.
"Manifesto: Art x Agency", Hirshhorn Museum and Sculpture Garden,Washington.
"Frederick Douglass: Embers of Freedom", Museum of Art, SavannahCollege of Art & Design, Savannah, Georgia.
"Artists Respond: American Art and the Vietnam War, 1965-1975",Minneapolis Institute of the Arts.
"Artists Respond: American Art and the Vietnam War, 1965-1975",Smithsonian American Art Museum, Washington.
"Video Club, Program #6, Stedelijk Museum, Amsterdam.
"Eternal Now", PKM Gallery, Seoul / Korea.
BIENALSUR - International Contemporary Art Biennial of South America, BuenosAires and Santiago de Chile.
"Never Again: Art against War and Fascism in the 20th and 21stcenturies", Museum of Modern Art, Warsaw.
"Game of Drones", Zeppelin Museum Friedrichshafen, Friedrichshafen.
"Columnists. Feljetonistai", Editorial gallery, Vilnius.
4. Triennale Fellbach Kleinplastik, Fellbach.
"Moonlight", Hasselblad Foundation, Göteborg.
"Global National. Kunst zum Rechtspopulismus", curated by RaimarStange, Haus am Lützowplatz, Berlin.

2018
Kochi-Muziris Biennale 2018
"35 DAYS OF FILM", Mitchen-Innes & Nash, New York.
"Thinking Ahead", Galerie Erna Hecey, Luxembourg.
"Wer war 1968?", Lentos Museum Linz, Nordico Stadtmuseum Linz,Landesgalerie Linz, Linz.
"MoMA at NGV: 130 Years of Modern and Contemporary Art" (co-organizedby The Museum of Modern Art, New York and the National Gallery of Victoria,Melbourne), National Gallery of Victoria, Melbourne.
"Human Interest", Galerie Jochen Hempel, Berlin.
"Women House: 36 Women Artists Deconstruct Domesticity", NationalMuseum of Women in the Arts, Washington DC.
"Brand New: Art and Commodity in the 1980s", The Hirshhorn Museum,Washington DC.
"Die wilden Jahre des Aufstands", ZKM – Zentrum für Kunst und Medien,Karlsruhe.

2017
"The American Dream. Amerikanischer Realism 1965-2017", DrentsMuseum, Assen, Netherlands, and Kunsthalle Emden, Germany.
"Elements of Vogue. A Case Study in Radical Performance", CA2M,Madrid.
"Folklore. Eine Kontroverse mit Werken aus den Sammlungen", Museumder Moderne, Salzburg, Austria.
"Age of Terror", Imperial War Museum, London.
MAMCO – Musée d’art moderne et contemporain, Genève
"Women House", Monnaie de Paris, Paris.
"Image of War",Bonniers Konsthall, Stockholm.
"Zéro de Conduite – Works from the Serralves Collection", FundacaoSerralves, Porto.
"Citings, Signings", Lennon Weinberg Inc, New York.
"Picture Industry", Hessel Museum of Art at Bard College,Annandale-on-Hudson, NY.
"Torqued: Visual Notes for an Upside-Down World", PPOW, New York.
"The war which is coming is not the first one. Great war 1914-2014",Mart Museo di Arte Moderna e Contemporanea di Trento e Roverto, Roverto.

2016
"The Geo Politics of Monetized Airspace – Come Fly with Me, I Meet You bythe Airside Gucci Concession at 4, Fox Fur Hat", Midway Contemporary Art,Minneapolis.
"The Uses of Photography: Art, Politics, and the Reinvention of aMedium", Museum of Contemporary Art, San Diego.
"Number Twelve: Hello", Julia Stoschek Collection, Düsseldorf.
"The Eighties", Museum van Hedendaagse Kunst, Antwerpen.
"GlobalTerror", Nagel Draxler Kabinett, Berlin.

2015
"to expose, to show, to demonstrate, to inform, to offer: ArtisticPractices around 1990", Mumok, Museum moderner Kunst Stiftung Ludwig,Wien.
"Wohnungsfrage", Haus der Kulturen der Welt, Berlin
"The EY Exhibition: The World Goes Pop", Tate Modern, London.
"Regarding Spectatorship", Kunstraum Bethanien, Berlin.
"FIRE AND FORGET. ON VIOLENCE", KW Institute for Contemporary Art,Berlin.
"Re-Membering the Vietnam War", William Benton Museum of Art –University of Connecticut.
"Who Owns My City", Van Eyck, Maastricht.
"NENNEN, BENENNEN", Künstlerhaus Palais Thurn und Taxis, Bregenz.
"do it (adelaide)", University of South Australia / Anne & GordonSamstag Museum of Art, Adelaide.
"Feministische Avantgarde der 1970er Jahre. Werke aus der SammlungVerbund, Wien", Hamburger Kunsthalle, Hamburg.
"Imaginary Audience Scale & Suck. A sceptical approach to exhibitionmaking", Artspace, Auckland.
"Not Yet. On the Reinvention of Documentary and the Critique ofModernism", Museo Reina Sofia, Madrid.
"Agitprop!", The Brooklyn Museum, Brooklyn.
"Archive Bound", The Center for Book Arts, New York.
"World Goes Pop", Tate Modern, London.
"Endless House: Intersections of Art and Architecture", The Museum ofModern Art, New York.
"Transmission", Palais des Beaux-Arts, Paris.
"America is Hard to See", Whitney Museum of American Art, New York.
"Watch This! Revelations in Media Art", Smithsonian American ArtMuseum, Washington.

2014
"Take it or Leave It", Hammer Museum, Los Angeles.
"Martha Rosler, Borna Sammak, Michael St. John", Andrea RosenGallery, New York.
"EL PASADO EN EL PRESENTE Y LO PROPIO EN LO AJENO", LABoral,Gijon.
"The war which is comingis not the first one. Great war 1914-2014", Museo d'Arte Moderna eContemporanea di Trento e Rovereto, Roverto.
"Border Cultures Part II (Work and Labor), Art Gallery of Windsor,Windsor, Ontario, Curated by Srimoyee Mitra
"Art Turning Left. How Values Changed Making 1789-2013", TateLiverpool, United Kingdom, Curated by Francesco Manacorda and Eleanor Clayton.
The 2014 Dallas Biennial, Dallas.
"Looking Forward: Gifts of Contemporary Art from the Patricia A. BellCollection", Montclair Art Museum, Montclair.
"Footnotes", CCS Bard Hessel Museum, New York.

2013
"State of Mind", SITE Santa Fe; Bronx Museum, New York. Travelingexhibition curated by Constance Lewallen. Originated at Orange County Museum ofArt, California (2011); traveled to The Smart Museum & The University ofChicago.
"Contemporary Magic", Dalí Museum, St. Petersburg, Florida.
"Elles: Mulheres Artistas na coleção do Centro Pompidou". CentroCultural Banco do Brasil, Rio de Janeiro.
"Re.Act.Feminism #2–A Performing Archive", curated by Bettina Knaupand Beatrice Ellen Stammer, Akademie der Künste, Berlin.
"Continental Drift: Conceptual Art in Canada: The 1960s and 70s.",Badischer Kunstverein, Karlsruhe.
"The Past Is Present.", Curated by Jens Hoffmann, Detroit Museum ofContemporary Art, Detroit.
"Minimal Resistance. Between Late Modernism and Globalisation: ArtisticPractices during the 80’s and 90’s.", Curated by Manuel Borja-Villel,Rosario Peiró & Beatriz Herráez,
Museo Nacional Centro de Arte Reina Sofía, Madrid.
"Amazing! Clear! Linguistic! An Adventure in Conceptual Art.",Generali Foundation,Vienna.
Curated by Sabine Folie
"Neue Ware", GalerieChristian Nagel, Köln.

2012
9th Shanhgai Biennial, Shanghai.
"The Shaping of New Visions. Photography, Film, Photobook", curatedby Roxana Marcoci, Museum of Modern Art, New York.
"Chaotic Trajectories",Temporary Gallery, Cologne.
"Merciless: Wit, Satire, Irony, Sarcasm: Female Artists and theCornical", curated by Rita E. Täuber, Städtische Museen Heilbronn,Kunsthalle Vogelmann, Heilbronn.
"Utopia/Dystopia: Construction and Deconstruction in Photography andCollage", curated by Yasufumi Nakamori, Houston Museum of Art, Houston.
"State of Mind: New California Art Circa 1970", Berkeley Art Museum,Berkeley, traveled from Orange County Museum of Art.
"And Yet She Moves: Reviewing Feminist Cinema", Walker Art Center,Minneapolis.
"Re.Act.Feminism #2 – A Performing Archive", Centro CulturalMontehermoso
Kulturunea, Vitoria-Gasteiz; Museet for Samtidskunst, Roskilde.

2011
"The Grand Domestic Revolution", Casco Office for Art, Design andTheory, Utrecht.
"Actors, Agents and Attendants II, SKOR, Amsterdam.
"re.act.feminism 2", montehermoso, Vitoria-Gasteiz.
"Paradigm Shift Serralves Collection 60’s 70’s", MUSAC, Leon.
"Melanchotopia", Witte de With, Rotterdam.
"Based in Berlin 2011", based in Berlin, Berlin.
"So machen wir es. Techniken und Ästhetik der Aneignung", KunsthausBregenz, Berlin.
"Off the Wall / Fora da Parede", Museu Serralves - Museu de ArteContemporânea, Porto.
"photographs: folios & installations", BFAS / Blondeau Fine Art& Services, Genf.
"Serious Games", curated by Harun Farocki and Antje Ehmann, InstitutMatildenhöhe, Darmstadt.
"Hyper Real - Kunst und Amerika um 1970", Ludwig Forum fürinternationale Kunst, Aachen.
"That’s the way we do it at Kunsthaus Bregenz", Kunsthaus Bregenz,Bregenz.
"The Unbearable Lightness of Being", Yvon Lambert, Paris.
"Cover Girl", Galérie des Galéries, Paris.
"Part 4: The Pilgrim, the Tourist, the Flaneur (and the Worker)", VanAbbemuseum, Eindhoven.
"Phantasie an die Macht - Politik im Künstlerplakat", Museum fürKunst und Gewerbe, Hamburg.
"Singapore Biennale 2011", Singapore Biennale.
"Starters - Performative Positionen", Lothringer13, München.

2010
"Person is Political. Hannah Höch’s art translated in the framework of thethird wave of feminism in the beginning of the XXI century", Tallinn ArtHall.
"Bilder in Bewegung. Künstler & Video / Film", Museum Ludwig,Köln.
"Krieg/Individuum", Ausstellungshalle zeitgenössischer Kunst Münster,Münster.
"Donna: Feminist Avant-garde of the 1970s from Sammlung Verbund,Vienna", Galleria nazionale d'arte moderna, Roma.
"Modernologies - Contemporary artists researching modernity andmodernism", Museum of Modern Art, Warsaw.
"Politics of Art", National Museum of Contemporary Art, Athens.
"Haunted - Contemporary Photography/Video/Performance", GuggenheimMuseum Bilbao, Bilbao.
"Are you ready for TV?", MACBA, Barcelona.
"Un-home-ly", Oakville Galleries, Oakville.
"Seductive Subversion: Women Pop Artists, 1958 - 1968", BrooklynMuseum, Brooklyn.
"Workers Leaving the Workplace", Muzeum Sztuki in Lodz.
"Changing Channels", MUMOK, Wien.
"Mean Streets - Malasz", IVAM, Valencia.
"How many Billboards?", MAK Center, Los Angeles.
"Solace", Austrian Cultural Forum, New York.
"Defending our Values (Lightbox / The Module)", Kunstraum Innsbruck,Innsbruck.

2009
"1969", P.S.1 Contemporary Art Center, Long Island.
"Lecture Performances", Kölnischer Kunstverein, Köln.
"Democracy in America", Creative Time, New York.
"el dorado. Über das Versprechen der Menschenrechte",Kunsthalle Nürnberg, Nürnberg.
"EMAF 2009", European Media Art Festival, Osnabrück.
"El pasado en el presente y lo propio en lo ajeno", Laboral Centro deArte, Gijon.
"Street Art, StreetLife", Bronx Museum of the Arts, New York.
"1968. Die Große Unschuld", Kunsthalle Bielefeld, Bielefeld.
"The Human Stain", CGAC Santiago de Compostela.

2008
"re.act.feminism", Akademie der Kpnste, Berlin.
"versus inversus", Galleria Raffaela Cortes, Mailand.
"Universial Archive. TheCondition of the Document and the Modern Photographic Utopia", Museu d´ArtContemporani de Barcelona, Barcelona.
"Interieur/Exterieur: Wohnen in der Kunst", Kunstmuseum Wolfsburg,Wolfsburg.
"Bildpolitiken", Salzburger Kunstverein, Salzburg.

2007
"Body politicx", Witte de With, Rotterdam.
Documenta 12, Kassel.
"Erblätterte Identitäten. Mode - Kunst - Zeitschriften", Galerie derHochschule für Grafik und Buchkunst, Leipzig.
"Kiss Kiss Bang Bang: 45 Years of Art & Feminism", Museo deBellas Artes, Bilbao.
"Sculpture Projects Münster", Münster 2007.
"Anachronism", Argos Center for Art & Media, Brüssel.
"WACK! Art and Feminist Revolution", Museum of Contemporary Art, LosAngeles.
"The Evil. Teil 1: Presse & Politik, Teil 2: Pop & Politik", kuratiert von Raimar Stange, Galerie Gebr. Lehmann, Dresden.
"For A Special Place. Documents And Works From The Generali FoundationCollection", Austrian Cultural Forum New York, New York.
"United Nations Plaza", Temporäre Kunstakademie, Berlin (gegr.von /founded by Anton Vidokle).
"Mapping the City", Stedelijk Museum, Amsterdam.
"Feedback: The Video Data Bank, Video Art, and Artist Interviews",Museum of Modern Art New York, New York.
"Massiv Analog Academy",Galerie Christian Nagel, Köln.

2006
"Piktogramme - Die Einsamkeit der Zeichen", Kunstmuseum Stuttgart,Stuttgart.
"Media Burn", Tate Modern, L2 Gallery, London.
"Saigon Open City: Liberation", Ho Chi Minh City, Vietnam.
"Academy. Learning from Art", Museum van Hedendaagse Kunst,Antwerpen.
"Terminals, Hotels & Wunderwelten", Stadtmuseum Graz, Graz.
"Martha Rosler´s Library", Frankfurter Kunstverein, Frankfurt.
"FALLOUT. Cold War Culture", Mitchell-Innes & Nash, New York.
"Optik Schröder. Werke aus der Sammlung Schröder", KunstvereinBraunschweig, Braunschweig.
"The Early Show: Video from 1969-1979" The Berta and Karl LeubsdorfArt Gallery at Hunter College, New York.

2005
"girls on film", Zwirner & Wirth, New York.

2004
"Election", American Fine Arts, Co., Colin de Land Fine Art, NewYork.
"WAR! PROTEST IN AMERICA 1965-2004 and MEMORIALS OF WAR", WhitneyMuseum of American Art, New York.
"Recherche - entdeckt! Bildarchive der Unsichtbarkeiten. 6. InternationaleFoto-Triennale Esslingen 2004", Villa Merkel und Bahnwärterhaus,Esslingen.
"American Idyll", Greene Naftali Gallery, New York.
"Die Regierung", mit Harun Farocki, Jean-Luc Godard/Jean-PierreGorin, Martha Rosler, Allan Sekula, Kunstraum der Universität Lüneburg.

2003
"Messe in der Galerie",Galerie Christian Nagel, Köln.
"The Next Documenta Should be Curated By An Artist", Curated by JensHoffmann, www.e-flux.com.
La Biennale di Venezia (Arsenale), Venedig.
"Haupt- und Nebenwege",Galerie Christian Nagel, Köln.
"Attack! Kunstund Krieg in den Zeiten der Medien", Kunsthalle Wien.
"Rapture: Art’s Seduction by Fashion since 1970," curated by ChrisTownsend. Barbican, London (sched.).
"A Short History of Performance - Part II", Whitechapel Gallery,London.

2002
"Spacing the Line: Performativity and Passage Zones", Academy ofVisual Arts, Leipzig.
"Photo Exhibition", Gorney Bravin + Lee, New York.
"Shopping", SCHIRN Kunsthalle Frankfurt, Frankfurt, Germany (sched.),TATE Liverpool, England (sched.).
"/IN/welcher/Haltung/arbeiten/Sie/bevorzugt?, Ausstellung zum Verhältnisvon Kunst und der Konstruktion von Arbeit", kuratiert von Andreas Siekmannund / /D/O/C/K-Projektbereich, Galerie der Hochschule für Grafik und Buchkunst,Leipzig.
Video Primer. Art Gallery of Ontario, Toronto. In collaboration with V-Tape,Toronto.
"Dritte Sektor", Galerie für Zeitgenössische Kunst, Leipzig.
"Screening", Consejeria de las Artes, Madrid.
"Outer and Inner Space: A Video Exhibition in Three Parts", VirginiaMuseum of Fine Arts, Virginia.
"Continued Reflections: Walker Art Center Celebrates Black HistoryMonth", Walker Art Center, Minneapolis.
"Art and the Construction of Work", Academy of Visual Arts, Leipzig.
"The First Decade: Video From the EAI Archives", Museum of ModernArt, New York.
"Non-Places", Frankfurter Kunstverein, Frankfurt am Main.
"Parallels and Intersections: Art/Women/ California 1950-2000", SanJose Museum of Art (CA).
"Do It", curated by Hans Ulrich Obrist,www.e-flux.com.
Festival "Kobieta Z Kameru", Organized by Cinenova, Warsaw.
"Through Women’s Eyes - Video Art by Women Artists." Museum ofContemporary Art, Taipei, Taiwan.
"Visions from America: Photographs from the Whitney Museum of AmericanArt, 1940-2001", Whitney Museum of American Art, New York.
"Personal and Political: The Women’s Art Movement 1969-75", GuildHall, East Hampton, New York.

2001
"Spitting Image: Myth and Creation of Feminine Identity", Universityof Connecticut at Stamford.
"Double Life: Identity and Transformation in Contemporary Art",Generali Foundation, Vienna.
"New York ca. 1975", David Zwirner, New York.
"The Communications Department", Anthony Wilkinson Gallery, London.
"L’Esprit de Famille", Villa du Parc, Cetre d’ArtContemporain, Annemasse, France.
"Goteborg FilmFestival", Goteborg, Sweden.
"Transposition", London film festival, London.
"Shopping", Generali Foundation, Vienna.
"Playing Amongst the Ruins", Royal College of Art, London.
"The Path of Resistance. MoMA Meets Moderna 1960 - 2000", ModernaMuseet, Stockholm, in collaboration with the Museum of Modern Art, New York.
"Beyond Origin", Hellenic American Union, Athens.
"Structure/Statement", in the series "Contingent Cinema",University of California, Los Angeles.
"Communications Department", Anthony Wilkinson Gallery, London.
"Many Moons", Hammond Museum, North Salem, New York.
Neue Galerie für bildende Kunst, Berlin.
"Works from the Collection", Generali Foundation, Vienna.
"Jheronimus Bosch", Museum Boijmans Van Beuningen, Rotterdam.
"Tele "Works from the Permanent Collection", International Centerof Photography, New York.
"Sculpture Contemporaine: Oeuvres de la Collection Frac Rhône-Alpesde l’Institut d‘art contemporain", Lyon.

2000
"The Wounded Diva: Hysteria, Body, Technology in 20th Century Art",Kunstverein München, Städtische Galerie im Lenbachhaus und Kunstbau, München;Siemens Kulturprogramm, München; Galerie im Taxispalais, Innsbruck; StaatlicheKunsthalle Baden-Baden.
"Quotidiana." Castello Di Rivoli, Museo d’Arte Contemporanea,Rivoli/Torino.
"The Cool World: Film & Video in America 1950-2000. Part II:1970-2000", Whitney Museum of American Art, New York.
"The Body—Between Construction and Condition", International Women’sUniversity Open Space Program, Hanover.
"The Psychic Life of Inner Space", Großer Aktzeichensaal, Vienna
"Carnival in the Eye of the Storm: War/Art/New Technologies", Curatedby Trebor Scholz, Pacific Northwest College of Art, Portland.
"Odd Bodies", National Gallery of Canada/Musée des beaux-arts duCanada.
"Insites: Interior Spaces in Contemporary Art", Whitney Museum ofAmerican Art at Champion. Stamford, Conn.
"real", 4th Werkleitz Biennale, in the section "gender --ZurTechnologie des Geschlechts", Werkleitz.
"Cooked! (Politics, Performance and Kitchen Sink Video)", Curated bySue Ditta, Video Inn, Vancouver.
"The Path of Resistance." Museum of Modern Art, New York.
"Hyper Mental, Rampant Reality 1950—2000" Kunsthaus Zurich, Zurich;Hamburger Kunsthalle, Hamburg.
"Bruit de Fond", Centre national de photographie, Paris.
"Highlights from the Permanent Collection: Pollock to Today", WhitneyMuseum of American Art, New York.
"Hausschau, das Haus in der Kunst", Deichtorhallen, Hamburg.
"Gouvenementalität", Alte Kestner Gesellschaft, Hanover.

1999
"Siting Conflict", Presentation House Gallery, Vancouver.
"Dream City", Kunstraum München, Munich.
"Poésie et principes." Musée d’Art Moderne et Contemporain(MAMCO), Geneva.
"Dream City."Kunstraum München, Munich.
"m o b i l S U P E R S U P E R l a n d. Über Mobilitat und ihregelegentlichen Behinderungen", Forum Stadtpark, Graz.
"Siting Conflict", Presentation House Gallery, Vancouver.
"Laboratorium", Provinciaal Museum voor Fotografie, Antwerp.
"Private Eye", Haus am Waldsee, Berlin.
"Splice This!" Second Annual Super-8 Film Festival, Toronto.
"The American Century, Part II: 1950-2000", Whitney Museum ofAmerican Art, New York.
"Artissima 99", Torino, Italy.
"Modern Starts: Things", Museum of Modern Art, New York.
"Public Domain", Fototriennale Graz, Austria.

1998
"From the Body: Allegories of the Feminine", Museo de Bellas Artes deCaracas, Venezuela.
"Idea de lugar: Videos sobre Latinoamérica", Museo Nacional Centro deArte Reina Sofia, Madrid.
"In Site 98: Mysterious Voyages: Exploring Photography", ContemproaryMuseum, Baltimore.
"Fast Forward: Trade Marks", Hamburg Kunstverein, Hamburg.

1997
"Airport", Photographers’ Gallery, London; Nederlands Foto Instituut,Rotterdam.
"Surveying the First Decade: Video Art and Alternative Media in the UnitedStates", San Francisco Museum of Modern Art; American Museum of MovingImage, New York.
"Artists’ Videos from the Late 60’s to the Early 70’s", Kunstvereinin Hamburg.
"Multiple Identity, Amerikanische Kunst, 1975–1995, aus dem WhitneyMuseum", Kunstmuseum Bonn.
"Luces, Cámara, Acciòn (...) Corten! (Videoacciòn: El Cuerpo y SusFronteras)", IVAM Centro Julio González, Valencia.
"Views from AbroadIII", Whitney Museum of American Art, New York.

1996
"Inside the Visible", Institute of Contemporary Art, Boston; NationalMuseum of Women, Washington; Whitechapel Gallery, London; Art Gallery ofWestern Australia, Perth.
"Art at the End of the Twentieth Century. Selection of the Whitney Museumof American Art", National Gallery and Alexander Soutzos Museum, Athens.
"Incandescent", Louisiana Museum, Humlebaek.
"System Aesthetics: Works from the Permanent Collection", Museum ofModern Art, San Francisco.

1995
"25 Years of Video Art", Museum of Modern Art, New York.
"Africus Biennale", Johannesburg, South Africa.
"Division of Labor: Women’s Work in Contemporary Art, 1970-95", BronxMuseum of the Arts, New York; Museum of Contemporary Art, Los Angeles.
"Public Information: Desire, Disaster, Document", Museum of ModernArt, San Francisco.
"Lesezimmer II. Kunstpresse Österreich", Grazer Kunstverein.
"The Art of Memory, The Loss of History", The New Museum, New York.

1993
"Unité/ Sonsbeek / Biennale 1993, Dokumentation", Galerie Christian Nagel, Köln.

1985
"The Art of Memory, The Loss of History", New Museum of ContemporaryArt, New York.
"Disinformation: The Manufacture of Discontent", The AlternativeMuseum, New York.

1984
"New American Video Art: A Historical Survey, 1967-1980", WhitneyMuseum of American Art, New York.
"Content: A Contemporary Focus", 1974-1984, Hirshhorn Museum,Washington, D.C.
"Difference: On Representation and Sexuality", The New Museum, NewYork; Renaissance Center, Univ. of Chicago; Institute of Contemporary Art,London.

1983
"Videotapes from the Whitney Biennial", 17 North American andEuropean venues", Institute of Contemporary Art, Boston.
"Whitney Biennial", Whitney Museum of American Art, New York.
"Festival Andere Avant-Garde", Brucknerhaus, Linz, Austria.
"Video Art: A History, Part II". Museum of Modern Art, New York.
"Ars ‘83". Helsinki Atheneum, Finland.

1982
"Documenta 7", Kassel.
"Seventy-Fourth American Exhibition", Art Institute of Chicago,Chicago.

1981
"Books by Artists", Winnipeg; Ottawa; Mus. Contemporary Art,Montréal; Vancouver, etc.
"Libres D’Artista/Artist’s Books", Centre de Documentaçión D’ArtActual (CDAA), Barcelona.
"Art and Society:Bookworks by Women", Beyond Baroque Literary/Arts Center, Venice.
"Erweiterte Fotografie (Extended Photography)", Vienna Secession,Vienna.

1980
"A Decade of Women’s Performance Art", Contemporary Art Center, NewOrleans.
"Public Disclosure: Secrets from the Street", Museum of Modern Art,San Francisco.
"National Video Festival", American film Institute, Kennedy Center,Washington D.C..
"Issue" curated by Lucy Lippard and Sandy Nairne, Institute ofContemporary Arts, London.

1979
"Whitney Biennial", Whitney Museum of American Art, New York.
"Southern California Photography Invitational ‘79", Univ. SouthernCalifornia, Los Angeles.

1978
"Out of the House", Whitney Museum Downtown Gallery, New York.

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